Monthly Archives: November 2019

(music doc) Country Music

This is a painting by the American artist, Thomas Hart Benton. Actually, it was his last painting made for the Country Music Hall of Fame. The painting shows the origins of country music in America…

BBC4TV are showing the new Ken Burns documentary about US country music. The programme website is here

https://www.bbc.co.uk/programmes/m000bhfw

The history of American popular music is interesting. I’ve posted before the link between music and the railway, as evidenced in the painting above.

Previously, the BBC also showed a lovely film about why Nashville developed as the home of country music.

If you are interested, have a look at Heaven’s Gate (1980) by Michael Cimino. The film is terrific throughout, and there is a brilliant Cimino dance set-piece, with roller-skates!

(music doc) Blue Note Records

The BBC have shown a new documentary about the history of jazz label, Blue Note. You can see the programme website, here

https://www.bbc.co.uk/programmes/m000b8pd

Apart from the legacy of all the great records, there is a wonderful archive of photo images and wonderful record sleeves. This material was used throughout the film.

There is quite a lot of material about Blue Note and their amazing story. The BBC have a whole page of programmes and resources, here

https://www.bbc.co.uk/programmes/articles/SRVBqbNlgHr91p0shCyhtC/the-blue-note-collection

Blue Note recently did a collaboration with a skate shop in New York. Making some jazz inspired Vans featuring some of the Blue Note record covers. They made a nice film to go alongside the release. Here is the link to the shoes they made

http://www.dqmnewyork.com/shop/shoes/blue-note.html

And the film

https://vimeo.com/126379771

(art doc) George Eliot by Gillian Wearing

The BBC have showed a documentary abut the 19C woman novelist, George Eliot, by the artist Gillian Wearing.

The programme website is here

https://www.bbc.co.uk/programmes/m000b8nj

George Eliot was a remarkable woman in a number of different ways; as a writer, and as someone who was able to live independently, as a writer, and outside the usual confines of the matrimonial and female spheres of Victorian life. The film showed each strand of Eliot’s life fed into her life and work as a woman, and as a creative artist.

The film is typical Wearing. It uses contemporary interviews and dramatic re-enactments to tell the story.

Terrific.

(film) Dr Strangelove

The BBC showed Stanley Kubrick’s great cold-war satire, Dr Strangelove.

Kubrick’s films often seem to be about how a particular situation, expressed through a specific sociology or system, or circumstance, actually produces a kind of madness amongst the film’s protagonists.

This film looks at the madness in the bunker, as accident and system failure move the world toward a dramatic end.

(doc) Jane Jacobs


BBC4TV are showing a documentary about the US urban activist, Jane Jacobs.

You can get the details, here

https://www.bbc.co.uk/programmes/b090c4f8

Jacobs was one of the first people to question the modernist orthodoxy of functional segregation in modern cities, and the attendant destruction of community and neighbourhood. Jacobs was especially sensitive to the value of a busy street as crowded, safe, egalitarian and prosperous. She understood that aggregation and diversity were the two drivers of urban dynamism…

Her book, The Death and Life of American Cities (1961) became the playbook for urban activists across the US.

The film also describes the unhappy example of the Pruitt-Igoe projects development in St Louis…

There is a lot of material about Pruitt-Igoe.

The development became derelict and was eventually pulled down…nowadays, the whole thing is viewed as an indictment of modernist renewal…

The destruction of Pruitt-Igoe provides a dramatic sequence in the documentary film, Koyaanisqatsi (1982). Philip Glass wrote the soundtrack.

Elsewhere, the dereliction of Detroit is also well documented. See, for example, Requiem for Detroit (2010).

(doc) Steve Jobs

As part of the thirtieth birthday of the internet, The BBC have repeated the Steve Jobs documentary made just after he died.

You can get the details of the film, here

https://www.bbc.co.uk/iplayer/episode/b018ct00/steve-jobs-billion-dollar-hippy

It was interesting to watch the Jobs film after Jane Jacobs…part of what Jobs was doing is that he understood how Jacob’s idea of animation would be crucial in supporting digital and developing Apple…

(cinema doc) Stanley Kubrick

The BBC have broadcast a documentary about the life and films of Stanley Kubrick. He is generally understood as one of the great film directors of the 20C.

The film includes interviews with lots of people who worked with Kubrick, including Wendy Carlos, the electronic music pioneer.

You can visit the programme web page, here

https://www.bbc.co.uk/programmes/m000b55c

There’s also a terrific film about the Kubrick research archive called, Kubrick’s Boxes (2005). The archive is housed at LCC, part of UAL.

(doc) Meme Culture

As part of a series of programmes celebrating the thirtieth birthday of the internet, Richard Clay presented a documentary about the viral power of memes…

Here is the programme webpage

https://www.bbc.co.uk/iplayer/episode/m0003g0q/how-to-go-viral-the-art-of-the-meme-with-richard-clay

Memes are so-called after the memetic phenomenon identified by evolutionary biologist, Richard Dawkins, The Selfish Gene (1976). The idea, in Dawkins, emerges from the concept of replication at the heart of Darwin’s evolutionary hypothesis and extends it into the cultural arena…This seemed to propose a way of resolving the nature/nurture debate around the scope and limits of individual genetic inheritance.

The advent of the internet, and its continuous, interactive, and dynamic, digital stream had amplified the significance of the memetic potential of technological environments. Many books have been published to support this memetic extension across advertising and to advance public policy, civics etc…

It was disappointing that Richard’s programme seemed to accept, at face-value, that the meme was a product of the digital realm…in fact, the meme is exemplified by the synthesis of word and image, identified by Moholy in the 1920s, and as typo-photo. It was especially frustrating that no mention was made of the poster in this context, as the source code of memetic communication and as an expression of Walter Benjamin’s thesis about the industrialisation of cultural production.

I have spoken, this last term, about communication design in relation to the machine-ensemble of modern society and how, as that ensemble accelerates and gets bigger, it produces its own image-culture so as to keep pace with the ensemble. Contemporary meme culture seems a perfect example of this historic phenomenon.