Monthly Archives: May 2020

(music doc) Ella (BBC2TV)

Ella Fitzgerald was one of the great voices of the 20C. The BBC have shown a film about her life, here

Ella began singing in Harlem, and took the A Train, to get there, and sang at the famous Cotton Club. The club was famous for establishing the template for the modern jazz and dance club. The story of the Cotton Club has been told, on film, by Francis Ford Coppola.

The spirit of the club is Cab Calloway and the Nicholas Brothers. Check out ucky Number and Jumpin Jive on youtube.

Here are links to a clip from Coppola’s film, and a wonderful version of the Duke’s, A Train, filmed on the train!

https://www.are.na/block/7275535

https://www.are.na/block/7275672

In the 1950s, Ella and her house-band, at Verve records, created the definitive account of the great American song-book

Here is a note, with links, to a previous post about Verve

https://paulrennie.rennart.co.uk/post/176811606375/things-i-like-the-songbook-century
https://paulrennie.rennart.co.uk/post/176811606375/things-i-like-the-songbook-century

BBC4TV have previously shown a wonderful film about the history of American tap, and about the jazz ambassadors…

(history drama doc) Florence Nightingale (BBC4TV)

There was a good film about 19C nursing pioneer Florence Nightingale on the BBC.

The Lady with the Lamp is remembered for her work in the Crimean war (1850s) where she, and a group of volunteers, transformed the conditions at the military hospital at Scutari.

Upon arrival, she discovered that conditions were much worse than had been reported. Battlefield surgery was basically amputation of arms and legs, and hope-for-the-best without antibiotics or post-op care. In these circumstances many more soldiers died of infection than from enemy action.

Nightingale understood this as a moral and political scandal and was insistent upon demanding adequate resource to address this problem. She set herself up against a military-industrial and political system that viewed these deaths as heroic, whilst ignoring them.

The administrative powers were able to ignore these deaths because they couldn’t see them, and they couldn’t believe her figures. By plotting these graphs, she revealed the appalling truth…

The film didn’t mention Florence Nightingale’s use of statistics and diagrams to make her case. That was a shame. Nowadays she is recognised as a pioneer of information design. Nor was there any mention of Mary Seacole who also provided support for soldiers during the Crimean war. For various reasons Seacole is not recognised, by the medical establishment, as a “proper” nurse. Nevertheless, her pioneering work is now better known.

The film was built around a series of music-hall scenes derived from Joan Littlewood’s amazing WW1 drama, Oh What a Lovely War. There a film version of this, by Richard Attenborough, that is well worth watching.

It was interesting to watch this against the present day rhetoric of war against the virus and the similar lack of resource for care workers and patients. We are 200 years from Nightingale’s birth! There’s a Nightingale museum at St Thomas’ Hospital, London.

If you are wondering why the government’s powerpoint graphics are so underwhelming read Ed Tufte’s essay about the structural problems of this software. You can download the essay, here

https://www.are.na/block/7201845

The Crimean war was the first war to be comprehensively photographed, by Roger Fenton. You can see his images online. The war was also one of the first, along with the US Civil War in which the machinery of war had become bigger, faster and more dangerous…

(photo doc) Lee Miller – A Life on the Front Line (BBC2TV)

The BBC showed a great film documentary about the life of Lee Miller. You can watch it, here

Miller is most famous, nowadays, as a female war photographer .

She was famously photographed in Hitler’s bath tub, and as part of the advance-guard of the US army moving towards Berlin. Hours earlier, Miller had been part of the group that liberated the concentration camps…

Lee Miller lived the whole of her life in the front-line: as model, muse, surrealist and as house-photographer for Conde Nast’s, Vogue. Born in the USA, she moved to Paris and became part of the bohemian surrealist circle, where she was muse to Man Ray and others.

Well worth watching.